‘We are excited to work with the MCA and Takashi Murakami to bring to our community these special, exclusive, first-of-their kind tools to connect with the people they love,’ Facebook’s Head of Messenger, David Marcus, said in a press release. ‘The work of the team at the Facebook Creative Shop has been both thoughtful and playful, and we can’t wait to see how people interact with their own small piece of Murakami art!’”
“The fate of the Cedar Creek Nuclear Power Plant, the self-styled “safest plant in the world,” looks fairly secure, all things considered.
There’s a terrorist placing C4 while another provides covering fire, but they are only two men and the Counter-Terrorist Unit, with their superior numbers, are swarming the bomb site. And you are adjacent to the terrorist in overwatch position, with the entire conflict laid out below—a deific perspective usually impossible, or at least highly unusual, to achieve in Counter-Strike: Global Offensive. But virtual reality is changing how we can watch esports, and as the desperate fight to set off or defuse the bomb reaches a fever pitch right, you could simply tilt your head up to where a giant screen floating in the sky displays the down-the-barrel view so familiar to video gamers and figure out where things stand in the semi-final round of the Intel Extreme Masters CS:GO competition at Oakland’s Oracle Arena.”
“Ghost stories are how we attempt to codify the uncanny and the uncomfortable, the painful and the personal, the romantic and the irredeemably horrible. After all, are not people haunted by lovers and places haunted by tragedies?
By hewing to the facts and using a historian’s loupe, author Colin Dickey seeks to illuminate ghosts’ cultural presence. Ghostland, Dickey’s new book chronicling the sociological history of America’s most haunted places, finds its power not in the numerous phantoms lurking in the country’s shadows, but in the buildings, battlefields, slave prisons and Native American lands that birthed them.”
“Assange, though his name may well be, at this point, a synecdoche for cyber-terrorist, the 21st-century horror—comes off in his own book as an eloquent, if not unbiased, guide. He turns out to be a shockingly good author, particularly in light of some media stereotyping suggesting a pallid oracle with the sphinx’s leash betwixt his teeth and a bald eagle around his neck, his chemical eyes glowing in the night as government adjules bay outside his window.”