Tag Archives: Edwards

Wednesday 10/11 2017
The Porcelain Menagerie: On Cassie Marie Edwards’ “Figurines”

“Porcelain menageries carry in them the uncanny idealized nature, the oddity of imposing the characteristics we most desire on a totemic form to keep resting beside us, or locked safely away behind class. Consider the bull, or the horse, unicorn, or bear, common tchotchke subjects whose cuteness seems to have an inverse relationship to their ferocity (that a house cat will tear an ecosystem asunder and is, in this way, much more of a terrorist than a bear, speaks to the inherent human perspective from which these caricatures are drawn), or the aforementioned stock-still prey items, for whom sitting is death. Skittish horses, coquettish cats, majestic, cuirass-chested working dogs who cannot maintain their sense of regality while huffing through crushed faces and flapping jowls, all are made into exactly what we wish for them to be: perfect, one note—our favorite note—and within our possession. Figurines are our literal molding of nature, their fragility the proper trade for our wonts.”

Read the rest of my review of Edwards’ show in New American Paintings