Tag Archives: books

Tuesday 06/6 2017
No Pity: Masculinity and Haruki Murakami’s “Men Without Women”

“Any discussion of male loneliness must begin with two caveats. The first is that our loneliness cannot be the fault of women; this is no fedora-wearing, MRA message board polemic. The second is that the issues which may exacerbate loneliness are our own fault, stemming from concepts of masculinity that have given us a pretty good shake for millennia.

Modern American Masculinity is the one I know best, and it feels defined by stoicism, by beards and guns and backwards Flexfit baseball caps. Such atavistic ideas can be deeply alluring; I know, because I have felt them, too. So when a man who defines himself by his Modern American Masculinity is presented with something corrosive like loneliness, he can either sacrifice a part of that masculinity and express his emotional pain or internalize it and immolate with rage. One guess as to what choice many men make.”

Read the rest of my essay in Paste Magazine

Tuesday 05/16 2017
The Effective Narcissism of Chuck Klosterman

“Klosterman’s essays matter, because—despite focusing on a bunch of middle-aged-white-guy-things—their content tackles well-known subjects. These are not meditations on obscure punk records; these are treatises on KISS, for fuck’s sake. It’s like pulling David Foster Wallace’s Consider the Lobster from a black backpack covered in Toy Machine patches and poorly rendered Sharpie doodles. Klosterman pulls the literary equivalent of Jeff Koons’ art—validating your love of something with nary a pat on the head in sight.”

Read the rest of my essay on Klosterman’s new book, X, in Paste

Tuesday 05/16 2017
The New Battle Front Is Personal: The ISIS Hostage and the New War Journalism

“Puk Damsgård’s unadorned chronicle of Danish photojournalist Daniel Rye’s capture, confinement and eventual release delivers a lesson as astringent as medicine: in the modern era of irregular warfare, battlefields are no longer demarcated by flags or trenches but by ideology and memory. Beyond bombs and drones and Kalashnikovs, wars are now fought via emotion and media, perception and pressure. The modern front is personal.”

Read the rest of my review in Paste Magazine

Thursday 04/13 2017
Alternating Currents: On Bipolar and David Leite’s Memoir

“Mania is, as Leite described, neon. If I am full-blown manic, I am All; I am the Greatest Writer Who Ever Lived, I am a Deity and, as such, require My Pronouns and Titles to be capitalized. I rive skulls, rend nature, exert Myself upon the universe, Intelligence and Sex and Creativity, a Perfect Creature, Napoleon, immune to even heat-death, My mind red-shifting, driven by murmuring voices which I can hear but never make out. I am a Run-On Sentence, a Living James Joyce Passage, and I file essays with 386 word lede sentences, which are, really, as apt a metaphor as I am able to offer, a truly definite porthole, in My Indomitable Opinion; I am Ego, Great and Powerful and Right Ego, gloriously and deliriously thrilled with Me, Myself, the complete and utter inverse of bitter depression, I’m not good enough, not smart enough, not pretty enough, flipped and reversed and shot screaming up in to the night like a bullet, a Catherine Wheel, a cruise missile, a Saturn V, the Immolating Flight of the Wendigo, the very thoughts and prayers and animus of the Earth and creation itself, King of the Towering Peak with tears lashing My eyes, and everything laid out before Me, for Me, to be manipulated by Me; I am Galactus.”

Read the rest of the essay in Paste Magazine

Saturday 04/8 2017
A Predictable Nature: “Feral” Falls Short

Feral’s fatal flaw is that it’s built around a simple but powerful idea: that men—who already rape, kill, beat, threaten, humiliate—simply give in as ferals to this horrifying undercurrent of aggression. The novel had a chance to allow men to see themselves for the threat they can so easily be. What Feral delivers instead is social issue lip service atop a standard issue “end of the world as we know it” warning shot of a story—slight, fast, loud and glancing.”

Read the rest of my review at Paste Magazine

Friday 03/3 2017
The Haunting Relevancy of Yoojin Grace-Wuertz’ debut novel

“Even if some of the story beats sound familiar, their placement in Wuertz’s Seoul, where hair gleams “like the belly of a giant tuna” and drinks arrive “one after the other like the next turn on the disco ball” even as American GIs tear families apart and agitators are whisked away in black cars, renders them new.

The novel reveals an exciting place and time, in the catalytic sense, and all the more-so for us as visitors who are surrounded by its echoes—class, sex, race—even now.”

Read the rest of my review of Everything Belongs To Us in Paste Magazine

 

Thursday 02/2 2017
Cat Marnell’s Amphetamine Memoir and How We View Addiction

“While at Lawrence Academy in Groton, Massachusetts, Marnell is introduced to Ritalin and the entire trajectory of her life changes. Armed with a methylphenidate prescription, her grades soar, along with her social status. The performance-enhanced work/play dichotomy first established at Lawrence is repeated throughout the rest of the book, throughout the rest of her career; it is the speed which helps her rip through the hallowed halls of Condé Nast like garden shears through satin, pushes her into parties past dawn, sends her careening about the streets of Alphabet City, fitting in to exceptional designer jeans as she chases more drugs, work and people.

The image of the addict as hopelessly in the gutter, completely incapable of functioning, is torn asunder. She has crippling depressive periods, of course, wherein she does nothing for days, weeks, months, but Marnell is a voltaic little bee for much of her memoir, omnipresent around Magazine World. It would be impossible to deny her work ethic, drug-derived or not; Marnell’s desire to work in magazines and publishing is a constant lodestar, even if one being navigated while on a particularly unstable fuel source.”

Read the rest of my feature-cum-review of Marnell’s memoir at Paste

Thursday 01/5 2017
On Art and Commerce: The Manjula Martin Interview

“‘There has always been a conflict between making art and selling art. It’s always something artists had to negotiate, from the days of patronage to now. Colin writes about the first Greek poet who gets paid for his work, and how everyone said he was a sellout. And he kind of was, but he placed a value on his work. He wasn’t afraid to ask for it, and that was a historical moment.’”

Read the rest of my interview with Manjula Martin, editor of Scratch and founder of Who Pays Writers?, at Paste Magazine

Tuesday 01/3 2017
Turkey’s Chorus of Discontent

“Tracing modern activists’ ideological lineage back to the famed Young Turks and Young Ottomans, Genç both vivisects modern-day Turkey and grounds it in the country’s past. There are no answers in the book, no tidy, big picture proclamations; the work is rather a snapshot of a nation during a crucial time in today’s political landscape.

Under the Shadow is, in short, both complicated and absolutely necessary.”

Read the rest of my review Kaya Genç’s Under the Shadow in Paste Magazine

Wednesday 10/26 2016
Vampire Cartels in Mexico City

“It is not in the vampires and mythology that Certain Dark Things takes its strengths—although they will surely appeal; a movie option is easily imaginable—but in the motivations of the antagonists and real-world framework she has laid upon her vampires. The parallels between Atl and Nick’s antagonism—the decapitations, mutilations, bodies in barrels—with the real drug war in Mexico are inextricable. In simply amplifying the lurid stories which already emanate like the scent of blood in the popular consciousness, Moreno-Garcia imbues her monsters with familiarity and gives us ghouls we already know exist.”

Read the rest of my review of Silvia Moreno-Garcia’s Certain Dark Things in Paste Magazine